Fade Logic Pro X

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  1. Logic Pro X Fade Tool
  2. Logic Pro X Windows Download
  3. Create Fade In Logic Pro X

Global Commands

* Record/Record Toggle
⌘. Discard Recording and Return to Last Play Position
Play

I'm watching a Logic Pro X 101 course by MusicTechHelpGuy, and in it he shows how to create a fade by ctrl-shift-dragging on a region. Unfortunately, I cannot seem to replicate this. The latter type of fade, the crossfade, can be performed automatically on overlapping audio regions using Logic Pro. To enable automatic crossfades Choose the X-Fade setting from the Drag pop-up menu. (See Using Drag Modes.). 808 Glides in Logic Pro X 10.5 Sampler or Quick Sampler? ES2 Sound Design. Learn how you can apply Multiple Region Fades in Logic X.

0 Stop

You can fade in the beginning of audio regions, and fade out the end of audio regions (including audio Apple Loops). Fades are only visible if you are zoomed in enough to see the waveform in the audio region. You can create a fade using either the Fade tool or the Fade In and Fade. Fade in the beginning of audio regions in a Logic Pro project, and fade out the end.

, Rewind
⇧, Fast Rewind
⇧↩ Play from Left Window Edge
⌃⌥⌘I Set Punch In Locator by Playhead
⌃⌥⌘O Set Punch Out Locator by Playhead
⌃⌥⇧⌘O Set Punch Out Locator Point by Rounded Playhead
U Set Rounded Locators by Regions/Events
⇧⌘. Move Locators Forward by Cycle Length
⇧˽ Play from Selection
⌃↘ Go to Selection End
⌥' Create Marker
⌥⇧' Create Marker for Selected Regions
⌃⌥C Set Locators by Marker and Enable Cycle
⌃⌥, Set Locators by Previous Marker and Enable Cycle
⌥, Go to Previous Marker
⌥/ Go to Marker Number…
1-9 Go to Marker Number 1-9
C Cycle Mode
/ Replace
⌥S Set Solo Lock Mode
⌃⌥⌘S Solo off for all
K MIDI/Monitor Metronome Click
1 Recall Screenset 1-9
⌃2 Recall Screenset 2x
⌃4 Recall Screenset 4x
⌃6 Recall Screenset 6x
⌃8 Recall Screenset 8x
⌥R Region Inspector Float
⌥A Open Automation Preferences…
⌘1 Open Main Window…
⌘3 Open Smart Controls…
⌘5 Open Score Editor…
⌘7 Open Event List…
⌘9 Open Transform
⌥E Show/Hide Event Float
B Show/Hide Smart Controls
⌃⌥⇧S Show/Hide Staff Style Window
P Show/Hide Piano Roll
O Show/Hide Loop Browser
W Show/Hide Audio File Editor
⌘/ Show Detailed Help
⌥⇧T Open Tempo List…
⌥C Show/Hide Colors
⌃⌘O Show/Hide Current Track Automation Off/Read
⌃⌘A Show/Hide Current Track Automation Latch/Read
⌃⇧⌘R Set All Tracks to Automation Read
⌃⇧⌘L Set All Tracks to Automation Latch
⌃⌥⌘A Show/Hide Automation Quick Access
⌥⇧G Open Group Settings…
⌘` Cycle Through Windows
Select Next Track
⌘N New From Template…
⌥P Project Settings…
⌘S Save
⌘P Print
⌥⌘E Export Selection as MIDI File…
⇧⌘E Export All Tracks as Audio File…
⌘M Minimize Window
⇧⌘I Import Audio File…
⇧[ Previous Channel Strip Setting of focused Track
⌥⌘V Paste Channel Strip Setting
[ Previous Patch, Plug-in Setting or EXS Instrument
S Toggle Channel Strip Solo
⌃⇧S Toggle Channel Strip Format (mono/stereo)

Control Surfaces

⌥⇧K Open Controller Assignments

Various Windows

⌘Z Undo
⌥⌘Z Undo History…
⌘C Copy
⌘A Select All
⌥⇟ Set Next Tool
G Show/Hide Global Tracks
⇧⌘A Show/Hide Arrangement Track Only
⇧⌘X Show/Hide Transposition Track Only
⇧⌘B Beat Mapping
⌘→ Zoom Horizontal In
⌘↓ Zoom Vertical In
⌃⌥⌘2 Recall Zoom 2
⌃⌥⇧⌘1 Save as Zoom 1
⌃⌥⇧⌘3 Save as Zoom 3
⌃⇧Z Zoom to fit Locators, store Navigation Snapshot
⇧Z Store Navigation Snapshot
⌥⇧Z Navigation: Forward
Page Down
Page Right
I Hide/Show Inspector
⌥O MIDI Out Toggle
⌃M Mute Notes/Regions/Folders on/off
⌘Y MIDI Draw: Autodefine
= Increase Last Clicked Parameter by 1
⇧= Increase Last Clicked Parameter by 10

Windows Showing Audio Files

⇧⌘R Show File(s) in Finder
⌘; Add to Tracks…
⌃C Cycle Audition

Main Window Tracks & Various Editors

⌥⌘A New Audio Track
⌥⌘X New External MIDI Track
⌃↩ New Track with Duplicate Setting
⌘⌫ Delete Track
⌥⇧D Deselect All
⇧F Select All Following
⇧L Select All Inside Locators
⇧E Select Equal Regions/Events
⇧P Select Same Subpositions
⇧C Select Equal Colored Regions/Events
⇧↘ Select Last, or Shift Marquee Selection Right
Select Previous Region/Event or Move Marquee End (or Marquee Point) to Previous Transient
Select Previous Region/Event or Move Marquee End (or Marquee Point) to Previous Transient
⇧← Select Previous Region/Event or Move Marquee End (or Marquee Point) to Previous Transient
⇧→ Toggle Next Region/Event or Move Marquee Start (or Extend Marquee Selection) to Next Transient
L Loop Regions/Folders on/off
⌥⌘Q Undo Quantization
⇧⌘V Paste Replace
⌘J Join Regions/Notes
⌃⌘T Split Regions/Events at Locators or Marquee Selection
; Move Region/Event to Playhead Position (Pickup Clock)
⇧; Move Region/Event to Playhead Position and Select Next Region/Event (Pickup Clock+)
⌘[ Set Region/Event/Marquee Start to Playhead Position
⌘] Set Region/Event/Marquee End to Playhead Position
⌥→ Nudge Region/Event Position Right by Nudge Value
⌥← Nudge Region/Event Position Left by Nudge Value
⌥⇧→ Nudge Region/Event Length Right by Nudge Value
⌥⇧← Nudge Region/Event Length Left by Nudge Value
⌃⌥D Set Nudge Value to Division
⌃⌥M Set Nudge Value to Bar
⌃⌥H Set Nudge Value to 0.5 SMPTE Frame
⌃⌥1 Set Nudge Value to 1 ms
⌃⌥⇧R Secondary Ruler
⌘⇟ Lock SMPTE Position

Various Editors

⇧H Select Same Channels
Trim Note to Remove Overlaps for Adjacent
Trim Note End to Following Notes (Force Legato)
⇧↓ Select Lowest Notes
⌥↓ Transpose Event -1 Semitone
⌥⇧↓ Transpose Event -12 Semitones
⌃⌥R Show Event Position and Length as Time or Bars/Beats

Main Window Tracks

⇧↓ Extend Track Selection Down
Select Next Region on Selected Track
⌃⇧⌘2 Create 2 Automation Points at Region Borders
⌃⌘1 Create 1 Automation Point at Every Region Border
⌃⌘2 Create 2 Automation Points at Every Region Border
⌃⌘⌫ Delete Visible Automation on Selected Track
⌃⇧⌫ Delete Orphaned Automation on Selected Track
⌃⌘↓ Move Visible Track Automation to Region
⌃⇧⌘↓ Move All Track Automation to Region
⌃⌘U Unpack Take Folder to Existing Tracks
⌥F Un/disclose Take Folder
⌥U Flatten and Merge Take Folder
⌥⇧⌫ Delete Take or Comp
⇧⌘D Create Track Stack…
⇧⌘G Create Summing Stack
⌃B Bounce Regions in Place
⌃D Drum Replacement/Doubling
⌃H Hide Current Track and Select Next Track
⌃⇧ 1-9 Toggle Hide Group 1-9
⌃R Record Enable Track
⌃⌥⌘↑ Individual Track Zoom Out
⌃Z Auto Track Zoom
⌃⌥⌫ Individual Track Zoom Reset For All Tracks
⇧A Select All Aliases of Region
⌥X Audio Crossfade Options for Merge…
⌃⌘X Snip: Cut Section Between Locators (Global)
⌃⌘V Splice: Insert Snipped Section at Playhead (Global)
Fade Logic Pro X
⇧↩ Rename Track
⌥⇧⌘R Move Region to Recorded Position
⌥⌘F Convert Regions to New Audio Files
⌥⌘L Time Stretch Region Length to Locators
⌃X Strip Silence…
⌃N Normalize Region Parameters
⌃L Convert Loops to Real Copies
Remove Overlaps
⌥[ Shuffle Regions Left within Selection
Trim Regions to Fill within Locators
Crop Regions outside Locators or Marquee Selection
⌘F Hide/Show Flex View
⌃⇧] Trim Region Start to Next Transient
⌃] Trim Region End to Next Transient
⌥⇧N Name Regions by Track Name
⌥⇧C Color Regions by Track Color
⌘- Waveform Vertical Zoom Out
⌥T Configure Track Header
⌥N Hide/Show Note Pad
F Hide/Show Media Area
⌥⌘G Alignment Guides On/Off

Mixer

⇧X Cycle Through Mixer Modes (Single, Arrange, All)
⇧A Select Audio Channel Strips
⇧F Select Auxiliary Channel Strips
⇧E Select MIDI Channel Strips
⇧M Select Muted Channel Strips
Select Next (Right) Channel Strip
⌃T Create Tracks for Selected Channel Strips
⌥← Object move left
⌥↑ Object move up
⌥⇧← Object Width -1 Pixel
⌥⇧↑ Object Height -1 Pixel
⌃C Hide/Show Cables
⇧I Invert Selection
⇧→ Select Cable Destination
⌃V Send Selected Fader Values
⌃S Cable serially

Score Window

⌃F Explode Folders
⌃⇧N Hide/Show Instrument Names
⌃/ Go to Page…
Next Event
Next Staff
⌃⇧Y Force Syncopation
⌃⇧I Force Interpretation
⌃⌥↑ Stems: up
⌥⌘↑ Stem End: Move Up
⌃⌥⇧↑ Ties: up
⌃B Beam Selected Notes
⌃D Default Beams
⇧B Enharmonic Shift: b
⌃⇧C Assign MIDI Channels based on Score Split
⌃⌥⌘↓ Nudge Position Down
⌃⌥⌘→ Nudge Position Right
⌃⌥⇧N Settings: Numbers and Names
⌃⌥⇧C Settings: Chords and Grids
⌃⌥⇧X Settings: Extended Layout
⌃⌥⇧O Settings: Score Colors
⌃⇧. Insert: Decrescendo
⌃⌥⇧1 Set main finger 1
⌃⌥⇧3 Set main finger 3
⌃⌥⇧5 Set main finger 5

Event Editor

Select Next Event
⌃⇧D Articulation ID
⌘D Duplicate Event and Numerical Edit

Step Editor

⌥⌘N Create Lane
⌃C Copy Lane
⌃A Toggle Auto Define
Select Previous Lane

Project Audio

Select Next Audio File
⌃R Add Region
⌃O Optimize File(s)…
⌃K Copy/Convert File(s)…
⌥↓ Show All Regions
⌃X Strip Silence…
⌃E Export Region Information

Audio File Editor

⌃⌥⌘˽ Play/Stop All
⌃⇧˽ Play/Stop Region to Anchor
⌃B Create Backup
⌥⌘S Save Selection As…
Selection -> Region
⌃↘ Go to Selection End
⌃⌥→ Go to Region End
⌥← Go to Previous Transient
⇧← Set Selection Start To Previous Transient
Set Selection End To Previous Transient
⇧⌘← Selection Start and End to Previous Transient
⌥⌘← Selection Start and End to Previous Transient and Play
⌥⌘→ Selection Start and End to Next Transient and Play
⌃= Increase Number of Transients
⌃⌥⇧← Select All Previous
⌃R Create New Region
⌃G Change Gain…
⌃O Fade Out
⌃⇧I Invert
⌃⇧T Trim
⇧P Search Peak
⌃A Lock Arrange Position when moving Anchor

EXS24 Instrument Editor

⌃F Load Audio Sample…
⌃G New Group
⌥← Shift selected Zone(s)/Group(s) Left
⌥⇧← Shift selected Zone(s)/Group(s) Left (Zones incl. Root Key)
⌥⇧→ Shift selected Zone(s)/Group(s) Right (Zones incl. Root Key)
⌃O Load Multiple Samples…

Step Input Keyboard

A Note ‘C'
S Note ‘D'
F Note ‘F'
G Note ‘G'
H Note ‘A'
J Note ‘B'
⇧3 Next note will be sharp
` Chord Mode
Step Backwards
⇧Z Octave – 2
X Octave + 1
1 1/1 Note
3 1/4 Note
5 1/16 Note
7 1/64 Note
9 Next three notes are triplets
C Velocity 16 (ppp)
B Velocity 48 (p)
M Velocity 80 (mf)
. Velocity 112 (ff)
- Sustain inserted note(s)

There are many tools in Logic Pro X, but few are as important as the Fade Tool.

Because whenever you have an audio region, 99.99% of the time you'll want to use fades.

Fades exist to save our music and projects from nasty surprises. Sometimes when you're working, you might notice a weird pop or click erupt in your song.

But what is that pop or click? Where did it come from? You sure don't remember playing any weird noises!

Popping and Twitching

Pops come from bad edits. A bad edit is when you trimmed just a little too much off of your audio region.

But it could also be something far sneakier. Like the initial breath before the singer started singing. Or fret noise from the bass player.

A noise that's so quiet it's hard to actually see visually.

What causes the pop is when your track goes from complete silence to abruptly playing audio, without any sort of gradual lead up.

Fades for Days

A fade introduces a gradual ramp from no audio to some audio.

Fades protect our audio with their natural glide. A fade at the beginning of an audio region is the Fade In.

But it's also important to include a fade at the end of the region as well. Pops and clicks are just as likely to occur as the audio is trailing off and the region abruptly stops.

The fade at the end of a region is our Fade Out. That's when we fade from some audio to no audio.

Easy, right?

But too often home engineers and producers fail to throw a fade on their audio regions. And nothing screams amateur more than missing fades!

Enter: The Logic Fade Tool

Thankfully, fading in Logic is almost too easy.

There are several ways to use the Logic Fade Tool. But like the Lord of the Rings, there's one way to rule them all.

Have you gotten started with Click Zones yet? Trust me when I say you'll love Logic Pro X about 100x more when you do start.

Here's what to do:

  • Go to Logic Pro X > Preferences > Advanced Tools
  • Click Show Advanced Tools
    • Click Enable All
  • Click on the General tab in the Preferences
    • Click on Editing within the General tab
      • And enable Fade Tool Click Zones in the Pointer Tool in Tracks Provides: section

Bam – you're off to the races.

Now bust out an audio region. If you'd like, open the Apple Loops library by hitting key command O. And drag in the first blue Apple Loop you see.

At this point, all you need to do is hover your mouse over the top left or right corner of the region. Your mouse cursor will turn into a line with two arrows sticking out of it.

Click and drag like so:

And now you have your first Fade!

You can even select several regions and adding a fade to each at the same time!

Ain't it a beautiful thing?

Crossing the Gap

Fades aren't only reserved for the beginning or the end of a region though.
They also exist when two regions are directly next to each other. To prevent any pops or clicks from occurring because the waveforms don't quite match up, we use a cross-fade.
Cross-fades are a clever way of making edits sound seamless. As the audio of the first region fades out, the next region's audio fades in.

Expanding the Fading Horizons

Fades aren't just for protecting tracks though. They're also used for creative reasons as well.

Oftentimes producers use fades to gradually introduce a new instrument. And the shape of the fade can totally depend on how you want that instrument to come in.

Thanks to Click Zones, adjusting the length and curve of a Fade is no biggie.

You already know you can drag a fade out to a length that suits your style. But by hovering your mouse over the middle of the fade you created, you should see a new version of the Fade Tool.

This tool adjusts the curve of your fade. Just click and drag to the left or right to change the curve:

You could also choose the Fade Tool as one of your mouse tools. Simply go to the Mouse Tools in the Arrange window's menu bar:

Or by using key command T to open the Mouse Tools:

Click Zones are by far the best way to access the Fade Tool though. Personally, I almost never dig into these menus.

Speeding Up & Slowing Down

Pro
⇧↩ Rename Track
⌥⇧⌘R Move Region to Recorded Position
⌥⌘F Convert Regions to New Audio Files
⌥⌘L Time Stretch Region Length to Locators
⌃X Strip Silence…
⌃N Normalize Region Parameters
⌃L Convert Loops to Real Copies
Remove Overlaps
⌥[ Shuffle Regions Left within Selection
Trim Regions to Fill within Locators
Crop Regions outside Locators or Marquee Selection
⌘F Hide/Show Flex View
⌃⇧] Trim Region Start to Next Transient
⌃] Trim Region End to Next Transient
⌥⇧N Name Regions by Track Name
⌥⇧C Color Regions by Track Color
⌘- Waveform Vertical Zoom Out
⌥T Configure Track Header
⌥N Hide/Show Note Pad
F Hide/Show Media Area
⌥⌘G Alignment Guides On/Off

Mixer

⇧X Cycle Through Mixer Modes (Single, Arrange, All)
⇧A Select Audio Channel Strips
⇧F Select Auxiliary Channel Strips
⇧E Select MIDI Channel Strips
⇧M Select Muted Channel Strips
Select Next (Right) Channel Strip
⌃T Create Tracks for Selected Channel Strips
⌥← Object move left
⌥↑ Object move up
⌥⇧← Object Width -1 Pixel
⌥⇧↑ Object Height -1 Pixel
⌃C Hide/Show Cables
⇧I Invert Selection
⇧→ Select Cable Destination
⌃V Send Selected Fader Values
⌃S Cable serially

Score Window

⌃F Explode Folders
⌃⇧N Hide/Show Instrument Names
⌃/ Go to Page…
Next Event
Next Staff
⌃⇧Y Force Syncopation
⌃⇧I Force Interpretation
⌃⌥↑ Stems: up
⌥⌘↑ Stem End: Move Up
⌃⌥⇧↑ Ties: up
⌃B Beam Selected Notes
⌃D Default Beams
⇧B Enharmonic Shift: b
⌃⇧C Assign MIDI Channels based on Score Split
⌃⌥⌘↓ Nudge Position Down
⌃⌥⌘→ Nudge Position Right
⌃⌥⇧N Settings: Numbers and Names
⌃⌥⇧C Settings: Chords and Grids
⌃⌥⇧X Settings: Extended Layout
⌃⌥⇧O Settings: Score Colors
⌃⇧. Insert: Decrescendo
⌃⌥⇧1 Set main finger 1
⌃⌥⇧3 Set main finger 3
⌃⌥⇧5 Set main finger 5

Event Editor

Select Next Event
⌃⇧D Articulation ID
⌘D Duplicate Event and Numerical Edit

Step Editor

⌥⌘N Create Lane
⌃C Copy Lane
⌃A Toggle Auto Define
Select Previous Lane

Project Audio

Select Next Audio File
⌃R Add Region
⌃O Optimize File(s)…
⌃K Copy/Convert File(s)…
⌥↓ Show All Regions
⌃X Strip Silence…
⌃E Export Region Information

Audio File Editor

⌃⌥⌘˽ Play/Stop All
⌃⇧˽ Play/Stop Region to Anchor
⌃B Create Backup
⌥⌘S Save Selection As…
Selection -> Region
⌃↘ Go to Selection End
⌃⌥→ Go to Region End
⌥← Go to Previous Transient
⇧← Set Selection Start To Previous Transient
Set Selection End To Previous Transient
⇧⌘← Selection Start and End to Previous Transient
⌥⌘← Selection Start and End to Previous Transient and Play
⌥⌘→ Selection Start and End to Next Transient and Play
⌃= Increase Number of Transients
⌃⌥⇧← Select All Previous
⌃R Create New Region
⌃G Change Gain…
⌃O Fade Out
⌃⇧I Invert
⌃⇧T Trim
⇧P Search Peak
⌃A Lock Arrange Position when moving Anchor

EXS24 Instrument Editor

⌃F Load Audio Sample…
⌃G New Group
⌥← Shift selected Zone(s)/Group(s) Left
⌥⇧← Shift selected Zone(s)/Group(s) Left (Zones incl. Root Key)
⌥⇧→ Shift selected Zone(s)/Group(s) Right (Zones incl. Root Key)
⌃O Load Multiple Samples…

Step Input Keyboard

A Note ‘C'
S Note ‘D'
F Note ‘F'
G Note ‘G'
H Note ‘A'
J Note ‘B'
⇧3 Next note will be sharp
` Chord Mode
Step Backwards
⇧Z Octave – 2
X Octave + 1
1 1/1 Note
3 1/4 Note
5 1/16 Note
7 1/64 Note
9 Next three notes are triplets
C Velocity 16 (ppp)
B Velocity 48 (p)
M Velocity 80 (mf)
. Velocity 112 (ff)
- Sustain inserted note(s)

There are many tools in Logic Pro X, but few are as important as the Fade Tool.

Because whenever you have an audio region, 99.99% of the time you'll want to use fades.

Fades exist to save our music and projects from nasty surprises. Sometimes when you're working, you might notice a weird pop or click erupt in your song.

But what is that pop or click? Where did it come from? You sure don't remember playing any weird noises!

Popping and Twitching

Pops come from bad edits. A bad edit is when you trimmed just a little too much off of your audio region.

But it could also be something far sneakier. Like the initial breath before the singer started singing. Or fret noise from the bass player.

A noise that's so quiet it's hard to actually see visually.

What causes the pop is when your track goes from complete silence to abruptly playing audio, without any sort of gradual lead up.

Fades for Days

A fade introduces a gradual ramp from no audio to some audio.

Fades protect our audio with their natural glide. A fade at the beginning of an audio region is the Fade In.

But it's also important to include a fade at the end of the region as well. Pops and clicks are just as likely to occur as the audio is trailing off and the region abruptly stops.

The fade at the end of a region is our Fade Out. That's when we fade from some audio to no audio.

Easy, right?

But too often home engineers and producers fail to throw a fade on their audio regions. And nothing screams amateur more than missing fades!

Enter: The Logic Fade Tool

Thankfully, fading in Logic is almost too easy.

There are several ways to use the Logic Fade Tool. But like the Lord of the Rings, there's one way to rule them all.

Have you gotten started with Click Zones yet? Trust me when I say you'll love Logic Pro X about 100x more when you do start.

Here's what to do:

  • Go to Logic Pro X > Preferences > Advanced Tools
  • Click Show Advanced Tools
    • Click Enable All
  • Click on the General tab in the Preferences
    • Click on Editing within the General tab
      • And enable Fade Tool Click Zones in the Pointer Tool in Tracks Provides: section

Bam – you're off to the races.

Now bust out an audio region. If you'd like, open the Apple Loops library by hitting key command O. And drag in the first blue Apple Loop you see.

At this point, all you need to do is hover your mouse over the top left or right corner of the region. Your mouse cursor will turn into a line with two arrows sticking out of it.

Click and drag like so:

And now you have your first Fade!

You can even select several regions and adding a fade to each at the same time!

Ain't it a beautiful thing?

Crossing the Gap

Fades aren't only reserved for the beginning or the end of a region though.
They also exist when two regions are directly next to each other. To prevent any pops or clicks from occurring because the waveforms don't quite match up, we use a cross-fade.
Cross-fades are a clever way of making edits sound seamless. As the audio of the first region fades out, the next region's audio fades in.

Expanding the Fading Horizons

Fades aren't just for protecting tracks though. They're also used for creative reasons as well.

Oftentimes producers use fades to gradually introduce a new instrument. And the shape of the fade can totally depend on how you want that instrument to come in.

Thanks to Click Zones, adjusting the length and curve of a Fade is no biggie.

You already know you can drag a fade out to a length that suits your style. But by hovering your mouse over the middle of the fade you created, you should see a new version of the Fade Tool.

This tool adjusts the curve of your fade. Just click and drag to the left or right to change the curve:

You could also choose the Fade Tool as one of your mouse tools. Simply go to the Mouse Tools in the Arrange window's menu bar:

Or by using key command T to open the Mouse Tools:

Click Zones are by far the best way to access the Fade Tool though. Personally, I almost never dig into these menus.

Speeding Up & Slowing Down

But wait! Not only can you adjust the length and curve of your fade, but you can also have your fades speed up or slow down your audio.

I love using fades for that special effect touch. Sometimes a speed effect can really make a song pop.

Logic Pro X Fade Tool

To access the fade effect, hold Control and click, or use the right mouse button to click on your Fade:

And then click Speed Up or Slow Down.

Your fade will change from white to pink, and the fade will now introduce the special effect.

'But What If I Need Finer Control Over My Fades?'

Sometimes we all want to have some detailed control over our fades. Oftentimes I like to set my fades to a specific value to keep things uniform.

The Region Inspector is home to all things specific. If you don't have it open, use key command I to find it:

And open the top bar that says 'Region' by clicking on the triangle next to it:

And in the More tab, you'll find your fade controls:

From here you can do everything we've done. You can adjust your fade lengths, curves, and even the speed effect or style.

I tend to set all my fades and cross-fades to '5,' unless I have a region that needs a more specific fade.

Conclusion

The Logic Fade Tool is a protector and innovator of audio. When you use the fade tool, you can prevent weird pops and clicks, or create special effects.

Logic Pro X Windows Download

You can access the Fade Tool by either:

  • Enabling Fade Tool Click Zones
  • Using the Mouse Tool Menu, or
  • Using the Region Inspector

And that's another reason why Logic Pro X rules 😉

Got an opinion? A Logic question? Let us know in the comments below!

Create Fade In Logic Pro X

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